One round, two sides, three arcs, four-column type, the 2012 CCTV Spring Festival Evening dance design is done in such a seemingly simple and can not be simple vocabulary.
The circular shape is the circular large screen in the middle of the stage. The high-definition LED screen of the Barco P6 is used, and the traditional festive pattern is used as the decoration. The two sides refer to the square of the ground 304 which can be combined with the music. Large screen and stage, rectangular LED large screen above the auditorium; three arcs refer to the curved large screen from the auditorium to the center of the stage, the lower door from the auditorium to the curved large screen in the center of the stage and the rear of the auditorium Festive Spring Festival elements with curved decorative patterns; four columns, obviously four LED column-shaped large screens standing on the stage.
In addition to the high-level styling, the CCTV Spring Festival Evening stage design has also achieved the ultimate simplification in the selection of materials. More than 7,000 square meters of the entire stage is filled with a material, that is, a gray LED screen. The traditional stage design concept is in the development of the times today, especially on the stage of the Spring Festival Evening, it is to stick to its own doctrine, or to innovate, in order to achieve visual violence and multi-ism combination. In the eighteenth century, the perspective painter believed that the stage design was to create "eye music", and the scenery was just outside the drama, pleasing the eyes of the audience. Naturalists believe that it is a "natural corner" on the stage, and the set becomes a material environment that breathes with the characters in the play. Symbolists advocate the creation of "tangible symbols of thought", and stage design can also speak and express their views on the theme. Functionalists think that it is just a "machine of performance." In their view, practicality is everything. The expressionist strives to create an atmosphere that serves as a projection of the psychology of the characters in the play. So, what do Chinese traditional operas say about this? The opera 谚诀曰: "The set is on the actor's body"
Every "ism", each kind of claim is a definition, a perspective, a discovery, opening a new horizon for stage design. But every "ism" and every claim is opposed to other "isms" and other claims. One negates the other and is denied by the other. What should the stage design be? Perhaps it has no constant essence at all; perhaps the above-mentioned opposing "ism" and claims are the different aspects of its essence. Through the success of the 2012 CCTV Spring Festival Evening Dance Design, I personally admit the latter.
Spring Festival Evening is not a drama, it is impossible to tell only one story. Spring Festival Evening is not pure art. It is entertainment, entertainment is to convey a dynamic visual impact. More than 20 art categories and more than 50 ethnic groups perform here, including cross talk, sketches, songs, dances, operas, and acrobatics. Because it does not conform to some laws, but does not conform to the law to create a new law of Spring Festival Evening: from art to entertainment, from entertainment to folklore. The new folk custom now is to paste the Spring Festival couplets, set off firecrackers, and watch the Spring Festival Evening. The traditional art creation law is that there is a book first, then there is creativity, and the Spring Festival Evening is that the script is not yet determined, you must first be creative. This is also an anti-regular place in the Spring Festival Gala. Therefore, the stage design law of the Spring Festival Evening is the stage first, the program is behind; the style of the stage presentation is not likely to be a single style.
First, the presentation of “simplification†in the stage of the Spring Festival Evening
Simplification in stage design is the tendency to minimize the number of structural features of a thing's artistic image. The reduction in the number of structural features of the reconstructed object is the reduction of semantic information, which is the most common abstraction. In the stage design of CCTV Spring Festival Evening in 2012, there are only one circle, two sides, three arcs and four columns, and all other features are omitted. When simplification does not exist for any structural features of the reconstructed object, it is not reproducible abstraction. One way to simplify is to suppress the details of the individuality to show a type to which the object belongs. Simplification is not a simplification in the general sense, because the purpose of reducing semantic information is to strengthen the information and performance information of the symbol medium. When the reproduction process is no longer limited to the shape of the object itself, the trend of generating a simple image gains the opportunity for free movement. Simplification allows the form to be freely motioned, revealing the potential performance traits of the reappearing object, resulting in a meaningfully large artistic generalization. The 2012 CCTV Spring Festival Evening Dance Chief Designer Chen Yan pursued this simplicity in the Spring Festival Evening. A circle can accommodate everything, alpine, ocean or palace; the square of the ground can be summarized as the ground of the undulating ocean, river, mountain or palace; the square above the stage can also be summarized into the sky, the universe, and the white clouds. The arc can be summarized as a city wall or a mountain system of a certain scene; the column type can be summarized as the facade of the palace's Roman columns, reliefs, landscapes and the like.
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